PROJECT DESCRIPTION
When donating his WWII photographs of interned Japanese-Americans to the Library of Congress in 1965, Ansel Adams wrote, "I think this Manzanar Collection is an important historical document and I trust it can be put to good use." Responding to Adams' prompt, artist Joseph Maida has reconstructed Adams' catalog Born Free and Equal, which accompanied Adams' 1944 MoMA exhibition curated by Nancy Newhall. In this new book, Maida incorporates Adams' vintage negatives and prints while obscuring specific faces, names, ethnicities, and dates. This collaborative volume illuminates the past's timely relationship to the present and punctuates the far-seeing power of Adams' original documents.
"Maida's overlays and interventions onto the catalog's original sequence amplify the prophetic nature of this historic story. It is both a sensitive reanimation of a still-resonant chapter in American history and a hard-hitting meditation upon photography's complicity with its outplaying." -- CHARLOTTE COTTON
BOOK INFORMATION
Trim Size: 8.25 x 10.75 inches
Number of Pages: 114
Binding Method: perfect
Paper:
Typefaces:
CREDIT INFORMATION
Creative Director: Isaac Haas
Art Director:
Book Designer: Isaac Haas
Jacket/Cover Designer: Isaac Haas
Illustrator:
Photographer: Ansel Adams; Joseph Maida
Picture Editor:
Production Director:
Production Coordinator:
Production Artist:
Other Credits:
Born Free and Equal:The Story of Loyal___________-Americans
Category
Book and Cover
Description
Winner - AIGA 50 Books | 50 Covers of 2018
Book Title: Born Free and Equal:The Story of Loyal___________-Americans
Design Firm/Agency: Studio Hi, New York
Publisher: CONVOKE
Author/Editor: Joseph Maida; Ansel Adams
Juror Comments
This book repurposes a 1940s Ansel Adams photographic collection as a social and political commentary; representing the old book with a new framing. The artist obliterates all specificity and detail, blocking out all faces, names, place names, and ethnicities, in an attempt to suggest that Manzanar, the Japanese concentration camp that Adams photographed, represents current atrocities at the US border. The design is in keeping with the book’s conceptual voice, allowing this iteration to open up the possibility of history repeating itself. — Lucinda Hitchcock
Winner Status
- 50 Books Winner
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